[silence] Sampling

[Straebel]

This is an interesting contribution on the history of sound sampling,
focusing on the techniques and instruments used:

Davies, Hugh: A history of sampling, in: Organised Sound 1 (1996) 1, p. 3-11


Volker Straebel
 email@straebel.de
   www.straebel.de



-----Ursprüngliche Nachricht-----
Von: silence-bounces@list.mail.virginia.edu
[mailto:silence-bounces@list.mail.virginia.edu]Im Auftrag von Katherine
Setar
Gesendet: Dienstag, 22. August 2006 06:08
An: silence@list.mail.virginia.edu
Betreff: Re: [silence] Sampling


Dear Zach,

Here are a few of my favorite sampled works:

Charles Dodge's "Any Resemblance is Purely Coincidental" described at
http://www.newalbion.com/NA043/

Pauline Oliveros's "Bye Bye Butterfly" in Pauline Oliveros: Electronic
Works. I of IV - Big Mother Is Watching You - Bye Bye Butterfly   -
Paradigm 1997 PD04) also included in New Sounds in Electronic Music
Odyssey 32 16 0160 (1968)

Stockhausen's "Gesang des Jünglinge"

You might also wish to examine some basic histories of electro-acoustic
music, such as Manning, Peter ELECTRONIC AND COMPUTER MUSIC or Schrader,
Barry INTRODUCTION TO ELECTRO-ACOUSTIC MUSIC.

Best wishes,

Katherine Setar



silence-request@list.mail.virginia.edu wrote:

> Message: 1
> Date: Sun, 20 Aug 2006 18:23:53 -0400
> From: "zachary moldof" <zacharygrangermoldof@gmail.com>
> Subject: [silence] Cagesque question
> To: silence@list.mail.virginia.edu
> Message-ID:
> 	<310764020608201523m1583b639s60273bca3cb2d054@mail.gmail.com>
> Content-Type: text/plain; charset=ISO-8859-1; format=flowed
>
> Greetings all,
>
> I am doing some research on sampling and am wondering if any of you
> can recommend resources. I am mostly concerned with earlier examples
> in which new methods for working with sampling are explored. This is
> not to say that I am looking for the oldest examples, rather instances
> that changed the structure of sampling.
>
> Thanks,
> Zach.
>


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