[silence] silence Digest, Vol 49, Issue 16

[Alejandro Rojas-Marcos]

We are not going to alter the Cage pieces.  The rest of the music is not
composed yet.
Thank you all.

 
>Message: 2
>Date: Fri, 23 Jun 2006 20:17:54 +0200
>From: Guy De Bievre <guy@guydebievre.org>
>Subject: Re: [silence] piano and live electronics
>To: silence@list.mail.virginia.edu
>Message-ID: <7.0.1.0.0.20060623200520.01ef46b0@guydebievre.org>
>Content-Type: text/plain; charset="us-ascii"; format=flowed
>
>hi alejandro,
>
>At 07:01 PM 6/23/2006, Alejandro Rojas-Marcos wrote:
>>I just thought that using a computer would be expensive and complicated,
>>but maybe you are wright.
>
>no, a computer nowadays is the least expensive and most flexible 
>solution (unless you have to buy one for the project). The only thing 
>is you have to make sure you have a good low latency sound card.
>These project can definitely be handled with programs like MAX/MSP or 
>PureData...but that is the more difficult way to go (unless you are 
>very familiar with those programs.) I've done quite a lot of 
>electronic processing for scored contemporary music and have always 
>been able to do it with VST hosts (I'm a PC user and the VST host I 
>use is audiomulch (www.audiomulch.com) - a cheap and very flexible 
>program. but I'm sure you kind find similar ones for Mac.) The 
>advantage of VST hosts is that you don't have to program, you just 
>find a VST plug in that does the kind of effect you want (and a lot 
>of those plug ins are available for free)
>
>>I'm involved in a proyect with dancers and the idea is to amplify the
sound
>>of the piano and the sounds produced by the movements of the dancers.
We
>>are also going to use some piano pieces by John Cage. We would like to
alter
>>these sounds so that the results could be more intersting.
>
>mmmh, this sounds a bit strange...do you mean the piano pieces are 
>not interesting as such?
>
>>  It's like electronically
>>preparing both the piano and the dancers.
>>It shouldn't be to expensive or complicated to handle.
>>Thank you.
>
>good luck,
>
>guy
>
>
>
>
>------------------------------
>
>Message: 3
>Date: Sat, 24 Jun 2006 10:03:28 -0400
>From: "Peter Yumi" <peter.yumi@gmail.com>
>Subject: Re: [silence] piano and live electronics
>To: "Alejandro Rojas-Marcos" <alejandrormrq@tiscali.es>
>Cc: silence@list.mail.virginia.edu
>Message-ID:
>	<cde4f9cb0606240703g5767e302m7081fb8a03e58fda@mail.gmail.com>
>Content-Type: text/plain; charset="iso-8859-1"
>
>a program that I use for altering sounds in a live setting is called Ableton
>live 5.0 .. this is an extremly powerful program.. MAX is very powerful
as
>well but there is  a steep learning curve..
>
>On 6/23/06, Alejandro Rojas-Marcos <alejandrormrq@tiscali.es> wrote:
>>
>> Hello, Guy.
>> I just thought that using a computer would be expensive and complicated,
>> but maybe you are wright.
>> I'm involved in a proyect with dancers and the idea is to amplify the
>> sound
>> of the piano and the sounds produced by the movements of the dancers.
We
>> are also going to use some piano pieces by John Cage. We would like to
>> alter
>> these sounds so that the results could be more intersting. It's like
>> electronically
>> preparing both the piano and the dancers.
>> It shouldn't be to expensive or complicated to handle.
>> Thank you.
>>
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>>
>>
>>
>>
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