[silence] More Atlas Eclipticalis
Ingvar Loco Nordin
loco.nordin@mbox200.swipnet.se
Sun Apr 20 16:04:36 EDT 2008
Petr Kotik sent me his response on the brewing Atlas E discussion
privately, but also told me it was ok to post it anywhere, so I'll
post it to the Silence list:
> I really don’t have the time (or wish) to go into lecturing on
> Atlas. The so called CONDUCTOR SCORE Peters No. 6782 is not a
> score, it is a set of instruction for the conductor, which – to my
> knowledge – was never used, certainly not by Cage, or everyone
> working with him. Bear in mind that Cages ideas in that time (1956
> – 1961) were so new, so untested and and they include few aspects,
> which were later abolished as impractical or unnecessary, as praxis
> continued leading to more familiarity with the material through
> performance experiences. I met Cage in 1964 to perform Atlas – a 3-
> hour version with David Tudor, Cage, Cerha, and two more people in
> Vienna. That was for the Cunningham’s Event #1 at the Modern Art
> Museum there. Cage and I worked together for the next 28 years and
> – by a coincidence – our last project was the first complete 2-hour
> version of Atlas at Carnegie Hall in 1992 (our last meeting
> regarding this project was one week before he died).
>
> I am sick and tired (I am not alone, Christian Wolff feels the same
> way) of encountering presentations of Cage done in almost total
> ignorance of the work.
>
> There are two recordings I have done – one is on Wergo WER 6215-2.
> This is a “composite” recording, where we only had one third of the
> orchestra and recorded the whole material 3 times (It was done in
> March 1992 and Cage was there – he had to be practically dragged
> over as he hated recorded music and recordings in general). After I
> mixed the three recordings into one complete 86-piece orchestra
> performance and heard it for the first time -- the sound with 3
> harps, 3 tubas, 3 sets of timpani (!) 5 horns, etc., I was so
> taken, that it gave me the impetus to organize a real 86-piece
> orchestra for a Carnegie Hall performance next October as a 80th
> birthday gift to Cage (this was the start of the SEM Orchestra).
> Fortunately, I had a financial backing here in New York to make it
> possible. When Cage died in August, I called David Tudor to ask him
> to perform the Carnegie Hall concert with us and expected him to
> say “Petr – I didn’t play the piano in public for 20 years I cannot
> do it.” To my big surprise, David said immediately yes! [why did
> Tudor stopped performing on the piano is another matter, which I
> discovered in the course of our collaborations in the last years of
> his life]. So we did it and an invitation from Berlin came right
> afterwards to do it also there in May, 1993. That performance (also
> with Tudor, this time 2-and-half hour version) at the Konzerthaus
> in Berlin was recorded and released at Aphodel (4-Cds together with
> 103).
>
> Greetings,
> PK
/Ingvar Loco Nordin
---------------------------------------------------
All places are here! All times are now!
Sonoloco Record Reviews:
http://www.sonoloco.just.nu
Ingvar Loco Nordin's hompage:
http://home.swipnet.se/sonoloco
Loco's MySpace:
http://myspace.com/ingvarloconordin
Loco on LastFM:
http://www.lastfm.se/music/Ingvar+Loco+Nordin
Loco's albums on lastFM:
http://www.lastfm.se/music/Ingvar+Loco+Nordin/+albums
Sonoloco Records on lastFM:
http://www.lastfm.se/label/Sonoloco+Records/
AIM/iChat contact name: locovarg
-------------- next part --------------
An HTML attachment was scrubbed...
URL: http://list.mail.virginia.edu/pipermail/silence/attachments/20080420/94ced774/attachment-0001.html
More information about the silence
mailing list